This documentary offers a glimpse into the 1997 federal election in the Halifax electoral district. Two strong female politicians, Liberal candidate Mary Clancy and NDP party leader Alexa McDonough, are caught in a tight competition in one of the most contested races in the country. Director Meredith Ralston follows the two women around the campaign trail for weeks, getting inside an election that was often described as “nasty.” Both larger than life and hungry to win, in quieter moments Clancy and McDonough reveal the strains and contradictions of their chosen careers. Why Women Run highlights the accomplishments of women in politics and the problems many women face participating in the political process.

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Zori Johnson falls in love hard and fast, yet always seems to be hurt by those closest to her. When she meets the man of her dreams, their love connection spurs her to open her heart once again. But at what cost?

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

An uncensored look into the lives of the female stand-up comedian. Featuring interviews and live performance footage from some of today's most prominent female voices in stand-up comedy and entertainment, this revealing documentary sheds light on the legacy of the female comedian and the dedication, courage and passion that is required to be successful in the male dominated stand-up comedy business.

RUN, RUN, a polished live-action effort shot by Jim Henson and Frank Oz in Greenwich, CT in October 1965, is a visualization of the joys of childhood and the wonder of nature. In the short, Jim’s daughters run freely through woods saturated by the colors of autumn into the warm embrace of their mother. The action is underscored by Joe Raposo’s lilting music, giving a sense of visual poetry.

Run, Joe, Run was a Saturday morning television program that aired on NBC from 1974 to 1976. It centered around Joe, a German Shepherd in the military's K-9 Corp., and his master, Sergeant Will Corey. One day, during training, Joe was falsely accused of attacking his master, a crime for which the dog would be put to sleep as punishment. However, he escaped before being killed and a $200 bounty was put on his head.Sgt. Corey believed Joe was innocent and also pursued him, hoping to find Joe before the authorities did. While on the run, Joe helped people he encountered.During the show's second season, Sgt. Corey, having never found Joe, was called back to duty. Joe then teamed with a hiker, Josh McCoy, and continued to help others, all the while still on the run.The show was considered as a cross between Lassie and The Fugitive. Like The Fugitive, and later, The Incredible Hulk, it centered around a falsely accused person running from authorities and helping out people he meets along the way. The show was produced by William P. D'Angelo Productions, who also produced the NBC young adult drama, Westwind.

The regular life of Tolya from Siberia is coming to an end: his wife is pregnant. Fearing the weight of responsibility he runs away to work on a shift. However, things don't go as planned. While on a train journey, Tolya meets a homeless boy Kolya. Due to a series of coincidences, wrong decisions, and the cunning of the young boy, Tolya is mistaken for a child kidnapper, and now the police are on his trail. Tolya finds himself playing an unexpected role of a nanny and tasked to deliver his new ward to his relatives in the town of Kogalym. Failure isn't an option, as it would cost him everything: his wife, job, and the future.

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Kent Weston lives in the not-too-distant future. He is more organized than a day planner and more regimented than a Marine when his goals of dating his pretty co-worker Allison are thrown into disarray with the arrival of Adam, an all-too-human robot.